You might know that one thing that’s essential to getting high-quality audio is to get your microphone as close to your subject as possible. This is one of the reasons that Lavalier mics are such a great tool! Here’s how to make a shotgun mic disappear.
This features an effect called: Glitch, which is part of Red Giant Universe. This plug-in runs on all major NLEs.
Using some fancy new AI, DaVinci Resolve 16 can take your 60p footage and slow it down significantly by guessing what would be in-between the missing frames. Here’s how.
You can embed metadata (labels) into files transcoded using the Apple Devices, Apple ProRes, MP3, MPEG-4, and QuickTime settings in Apple Compressor. Use metadata to annotate a media file with information that’s important for your workflow or for the person viewing your output file. Here’s how.
If you are creating lots of movies that always get the same compression settings or want to automatically compress and transfer files to social media – using Watch Folders in Adobe Media Encoder can make your life a lot easier.
The Frame Size setting in Apple Compressor determines precisely how your images are scaled during compression. Here’s what the settings mean.
If you need to assemble clips with different frame sizes, frame rates or codecs into the same multicam clip in Adobe Premiere Pro CC, here’s a fast way to create a multicam clip with exactly the format you need.
Hidden in the Premiere interface is the Dynamic Trim window, which provides the ability to trim an edit point in realtime. This is a great way to trim an action scene when you need to see it in realtime to figure out the best places to change shots. Here’s how it works.
Hold frames are still images created in a clip in Premiere’s timeline that allow you to pause the action. There are two versions of a Hold frame – here’s how to create both.
Recently Patrick Flaherty opened a project that he had finished. When he played it on the timeline he got the “Sorry I lost your media” red card warning. Here’s how he solved it.