… for Random Weirdness

Tip #677: A Guide to On-Set Film Terms – Part 1

Larry Jordan – LarryJordan.com

These eleven terms are heard daily on virtually every production set.

The intrepid team at MotionArray.com has compiled a glossary of film terms. Here’s a sample that relates to the gear on set.

• Blonde. A type of light but much brighter than a redhead. (1,000-2,000 watts).
• Boom Mic. A directional mic mounted to the end of a long pole that is then wielded by sound technician folk to capture close-range audio.
• Clapper. So it turns out that black-and-white striped board that someone snaps in front of the camera before every take does have a name. And that name is clapper. Or clapboard. Or a clacker. This does two very important things: It displays all the scene and take info that the crew needs to sort through the footage at a later date, and the snappy sound it makes is essential for syncing video with the audio during post.
• Dead Cat. A fuzzy black cover that goes over the end of a boom mic.
• Dolly. A wheeled cart onto which you mount a camera in order to capture smooth horizontal shots. Ever since steadicams came onto the scene, the use of dollies has been reduced in production.
• Hot Brick. A walkie-talkie with a fully charged battery.
• Legs or Sticks. Simple slang for a tripod.
• Redhead. A type of light with a power rating in the vicinity of 800 watts.
• Squib. A tiny explosive device used to simulate a bullet hitting an actor. You’ve probably seen squillions of these throughout your movie-watching career.
• Steadicam. This stabilizing contraption enables you to strap a camera to your big ol’ belly (or rather a vest that you’re wearing around your big ol’ belly) to get those super smooth shots.
• Stinger. An extension cord

… for Random Weirdness

Tip #660: Test Yourself: 25 Common Grip & Electric Terms

Larry Jordan – LarryJordan.com

How many of these terms do you know?

This article, written by Matt Webb, first appeared in IndieFilmHustle.com. This is an excerpt.

Have you ever been puzzled by the lingo floating around the set? Or, do you want to test your knowledge? Here are 25 grip and electric terms used on virtually every set.

• Apple Box – A wooden box that can be used for almost anything. Comes in various sizes and is commonly used as steps, seats and to raise props, dressing or actors.
• Barndoors – Folding doors that are attached to the front of lamps so they can be opened and closed to control the output of light.
• Bazooka – A camera mount similar to a tripod but only has one center shaft that raises the camera up and down.
• Beef – The output of light.
• Best Boy – The second in command of the grip or electrics department. They often do most of their work off set in the truck as they plan for the future shooting days.
• Black wrap – Black aluminum foil that is used to cover light leaks or shaped into flaps to cut the light.
• C-stand – An extremely versatile metal stand used for holding lights, floppys, cutters and anything else you need stabilized.
• Dance Floor – When it’s impossible to lay a track in the set or the camera move is more complex than a simple push in, the grips will lay smooth timber or plastic sheets down onto the ground to create a perfectly level floor. The dolly can then be pushed in any direction with minimal bumps and vibrations to the camera.
• Diffusion – A white material used to soften the light source.
• Dimmer – A device used to control the power of the lamp.
• Dingle – A piece of cut-off foliage to provide the lighting effect of a tree shadow on the subject.
• Dolly – A heavy piece of equipment that the camera can be mounted onto to give a smooth moving shot. The dolly slides along a track that looks just like a train track. This is extremely heavy; avoid being too close to the grips when they are looking for a hand carrying this up the stairs.
• Duvetyne – A thick, black cloth used for blacking out windows, and covering equipment and crew members when they are in reflections.
• Floppy or Flag – Square or rectangular frames with black material used to control the light. They can be used to cut the light off a certain subject or to black out an area for the director’s monitor.
• Gaffer – The head of the electric department.
• Gel – A transparent colored filter that is applied to the front of a light to manipulate the color output.
• House Power – Using the location’s power as opposed to power supplied by the electrics generator. Always good to check with the electrics department that it’s okay to plug into house power.
• Key Grip – The head of the grip department.
• Key Light – The main source of light on a subject.
• Lamp – Just another word for a light. The electric department tries to be all fancy and such.
• Scrim – A type of material similar to diffusion to manipulate the intensity of the light source. Typically scrims are quite large, either 10’x10’ or 20’x20’ and used to diffuse the harsh sunlight when shooting exteriors.
• Shot bag – A heavy bag full of lead shot used to weigh down stands. Looks like a sand bag.
• Stinger – A single extension power cord left ‘hot’ by the electrics for occasional use.
• Track – Steel or aluminum track that the dolly glides along to create smooth camera movements. The track is laid level by the grips across all types of terrain using apple boxes and wedges.
• Wedge – Small timber triangles used to level the dolly track.