… for Adobe Premiere Pro CC

Tip #240: See the Forest for the Trees

 

A fast way to toggle between the details and the big picture.

Topic $TipTopic

You’ve got your head buried in the details of your edit, but you need to take a quick look at the big picture of the entire Timeline. The problem is typing Plus or Minus takes forever…! What to do?

Zoom to Sequence to the rescue!

Use Zoom to Sequence in the Timeline to switch between detailed and global views of your sequence with one key press. Press once to zoom out. Press again to zoom back to where you were.

What’s the secret key? The back-slash key!


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… for Adobe Premiere Pro CC

Tip #221: Shortcuts to Extend and Trim Edits

Larry Jordan – https://LarryJordan.com

Power shortcuts to speed trimming.

Topic $TipTopic

It is almost always easier to drag an edit point. But it is faster and, more often, more precise to use a keyboard shortcut. Here are some trimming and playback shortcuts that can speed your work.

NOTE: With the exception of the first shortcut, all remaining shortcuts do not require you to first select the edit point. Plus, all these tricks assume you have sufficient media handles for the trim.

 

 

 

Shortcut What It Does
E Move the selected edit point to the position of the Playhead. (A roll trim.)
W Ripple trim next (downstream) edit to the position of the playhead
Shift – W Extend the next edit to the position of the playhead (no gap)
Option – W Trim the next edit to the position of the Playhead (leaves a gap)
Q Ripple trim the previous (upstream) edit to the position of the playhead
Shift – Q Extend the previous edit to the position of the playhead (no gap)
Option – Q Trim the previous edit to the position of the Playhead (leaves a gap)
Shift – K Play around the Playhead
Shift – Space Play from slightly before the In to slightly after the Out
Cntrl – Space Play from current Playhead position to the Out

NOTE: Preferences > Playback determines how far before an edit and how far after an edit the playhead will play.


… for Apple Motion

Tip #151: Export a Transparent Effect from Motion

Larry Jordan – https://LarryJordan.com

Transparency can be displayed by any NLE.

Unchecked layers in Motion are transparent.
Uncheck a group or layer in Motion to make it transparent.

Topic $TipTopic

You have two options to export an effect from Motion:

  • Export the entire composited movie. This creates a stand-alone movie.
  • Export just a portion of the effect – for example, a motion-tracked object, then composite it in the NLE.

Since exporting only exports visible layers, to export just an animated element, uncheck any layers you don’t want to export to make them invisible.

NOTE: To export the entire composite, make sure all layers are visible (checked) in the Layers panel.

Now, when you choose Share > Export Movie and accept the default settings, Motion creates a ProRes 4444 movie with an alpha channel, which means it includes any transparency.

That ProRes 4444 movie can then be imported into any editing software on Mac or Windows and retain all its transparency.

Very cool.


… for Apple Motion

Tip #153: The Inspector Adds Perspective

Larry Jordan – https://LarryJordan.com

Precise controls for manipulating elements.

The Inspector adds 3D rotation or position changes.
Use the Motion Inspector to add 3D rotation or position changes.

Topic $TipTopic

There are two ways to add perspective to any element in Motion:

  • The Inspector
  • The 3D Transform tool

To use the Inspector:

  • Select an element in the Layers panel.
  • On the left side of the Interface, click Inspector > Properties.
  • Twirl down Position to move the selected element horizontally (X), vertically (Y), or to or from the viewer/camera (Z).
  • Twirl down Rotation to rotate the selected element horizontally (X), vertically (Y), or to or from the viewer/camera (Z).

Personally, I find myself using Y rotation the most of all these settings.


… for Apple Motion

Tip #187: Quickly Create Transparent Graphics

Larry Jordan – https://LarryJordan.com

Transparency is also called the “alpha channel.”

Properties panel in Motion 5 showing  transparent background setting.
Set project transparency using Inspector > Properties.

Topic $TipTopic Like Photoshop, Motion makes creating images that contain transparency easy. In fact, transparent backgrounds are the default setting. But, if things go west, here’s how to create a transparent background.

  • Create a motion graphic as usual.
  • In the Layers panel, select the project.
  • Go to Inspector > Properties, then make sure that Background is set to transparent.

Now, when you export your movie or save it as a Final Cut Generator, it will include a transparent background.


… for Apple Final Cut Pro X

Tip #199: 4 Keyboard Shortcuts That Save HOURS!

Larry Jordan – https://LarryJordan.com

These shortcuts work for whatever clips you have selected.

Clip editing icons for Apple Final Cut Pro X
Editing shortcut icons (L to R): Connected, Insert, Append, Overwrite.

Topic $TipTopic

I am SUCH a fan of keyboard shortcuts. Once you start using them, you’ll be amazed at how much time they save so you can concentrate on telling your story. These are shortcuts I use in every edit.

NOTE: A key point here is that these shortcuts work with one or more selected clips in the Browser!

Shortcut What It Does
E Appends (Edits) all selected Browser clips to the end of the timeline in the order they were selected
W Insert edits all selected Browser clips at the position of the playhead/skimmer
D Overwrite edits all selected Browser clips at the position of the playhead/skimmer
Q Edits all selected Browser clips on the first available layer above (video) or below (audio) the Primary Storyline

The key point to note is that ALL selected clips are edited, in the order you selected them. If you have a bunch of selects, select them in the order you want them to appear in the timeline, type E and, poof!, instantly, they are edited in order!

NOTE: Look at your keyboard. See how E – W – D – Q all fall easily under the fingers of the left hand. This allows right-handed editors to keep one hand on the mouse and the other on the keyboard to edit clips as fast as you can decide which clip to edit next.


… for Adobe Premiere Pro CC

Tip #218: Shortcuts that Move Titles

Larry Jordan – https://LarryJordan.com

These shortcuts give your text direction.

Text box colors indicate status of text in Premiere.
Red means you can edit text. Blue means you can move text.

Topic $TipTopic

The new Title tool in Premiere is really great, when it isn’t also driving me nuts. The problem is that I can never remember when I can edit the text and when I can move it.

Here’s the secret:

  • Select the text clip with the Text tool and the box turns red. Red means you can edit the text with the text tool.
  • Select the text clip with the Selection tool and the box turns blue. Blue means you can move the text box.

EXTRA CREDIT

There are helpful keyboard shortcuts that can help you move text boxes, once you’ve selected them in the Effect Controls.

Shortcut What It Does
Cmd – [arrow key] Moves the selected text box one pixel in the direction of the arrow.
Shift – Cmd – [arrow key] Moves the selected text box five pixels in the direction of the arrow.

… for Adobe Premiere Pro CC

Tip #219: The Coolness of the J-K-L Keys

Larry Jordan – https://LarryJordan.com

Shortcuts that speed playback.

Topic $TipTopic

Most of us are total mouse junkies. But, there are things you can do with the keyboard that are hard to do with a mouse. One of these involves timeline playback.

Since probably the first Avid, we’ve been able to playback clips on the timeline using the J – K – L keys. The benefit to using these keys is that they are conveniently grouped to match the fingers of one hand.

Here are some shortcuts you may not know:

  • J. Plays backward in real-time
  • K. Stops playback (the same as pressing Spacebar)
  • L. Plays forward in real time (the same as pressing Spacebar)
  •  

  • Tap J multiple times. Each time you tap, speed increases by 1X, up to a maximum of 6X
  • Tap L multiple times. Each time you tap, speed increases by 1X, up to a maximum of 6X
  •  

  • Press K & J. Slow-motion backward
  • Press K & L. Slow-motion forward
  •  

  • Press Shift + J. Starts slow, then ramps to high-speed backward
  • Press Shift + L. Starts slow, then ramps to high-speed forward

… for Apple Final Cut Pro X

Tip #197: Much Faster Ways to Trim Tops and Tails

Larry Jordan – https://LarryJordan.com

Yes, you can trim by dragging. But, why waste the time?

A video clip in the Apple Final Cut Pro X timeline.
Trimming the top or tail of a clip starts by properly positioning the playhead.

Topic $TipTopic

Trimming the start (top) and end (tail) of a clip is something that we need to do SO OFTEN, that this tip alone can save you hours. These shortcuts ONLY work in the Timeline.

Shortcut What It Does
Option + [ Trims the start of a clip to the position of the playhead/skimmer
Option + ] Trims the end of a clip to the position of the playhead/skimmer
Option + Trims a clip to its selected range

 


… for Apple Final Cut Pro X

Tip #198: A Faster Way to Edit Audio – or, um, not

Larry Jordan – https://LarryJordan.com

Edit only audio, only video or both from a clip.

A menu option in Apple Final Cut Pro X allowing editing audio, video or both.
This menu is accessible, but these shortcuts are MUCH faster.

Topic $TipTopic

In addition to HOW you edit, you can also control WHAT you edit. To access this menu, click the small downward-pointing arrow next to the editing icons above the timeline.

Or, use these keyboard shortcuts:

Shortcut What It Does
Shift + 1 Edit both audio and video into the timeline
Shift + 2 Edit video-only into the Timeline
Shift + 3 Edit audio-only into the Timeline

NOTE: These options need to be enabled before making the edit.